Type 3 Media » Concert Reviews

Halestorm Rocks The Mohegan Sun Wolf Den

Kristen Pierson — Mon, 09 Jan 2012 10:00:11 +0000

Halestorm performed a free show at the Mohegan Sun Wolf Den on December 30, 2011.

As early as two hours prior to showtime, fans were lined up around the venue waiting to get inside. Halestorm played many fan favorites like “It’s Not You” and “I Get Off”, as well as three new songs, “Love Bites (So Do I),” “American Boys,” and “Freak Like Me,” which will be featured on their forthcoming album.

Here a SimpleViewer Flash gallery should be displayed. Click here to open the post in your browser to see the gallery.

All images contained on this page are Copyrighted by Kristen Pierson Photography (Kristen Pierson, Photographer) and Type 3 Media, and are property solely of the photographer. Any attempt to copy, save, or reproduce said images in any form is strictly forbidden without written authorization from the copyright holder.

Corey Taylor Spits Out Electrifying Performance in Rhode Island

Kristen Pierson — Fri, 09 Dec 2011 22:20:42 +0000

Corey Taylor
The Met
Pawtucket, RI
December 7, 2011

“Chicken-Cow-Cow.” Not exactly the intro music one might expect for a rock star with the body of work Corey Taylor has amassed over the past 12+ years, but then, nothing about this appearance was entirely expected.

Taylor began the performance by setting some ground rules then reading excerpts from his book, Seven Deadly Sins. He prefaced the reading by saying “This is #50 on the Christian reading list … that means two fucking things by the way, one, they’re buying it in bulk to burn, or two, I am warping the shit out of the Christian youth of today.”

Taylor also took some time to tell stories and answer questions from the audience. Many of the stories, such as getting electrocuted by Daniel Tosh and the origins of “Chicken-Cow-Cow” contained a lot of humorous elements. Other stories offered insight into Taylor’s life as a musician, like the creepy doctor’s office in Indianapolis that provided the best remedy for sore vocal chords and his remarks about what life is like now that he’s been sober for a year and a half; “When I thought I was singing great wasted, turns out I was not.”

For the second half of the appearance Taylor whipped out his acoustic guitar and played songs to the delight of the crowd. The set included the Stone Sour favorites “Zzyzx Rd.” and “Through the Glass,” as well as songs from the Slipknot catalog like “Spit It Out,” “Psychosocial,” and “Snuff.”

Taylor also played a good number of cover tunes, including Elvis’ “Burning Love,” Alice In Chains’ “Down in a Hole,” U2′s “With Or Without You,” and the Ramones’ “Outsider.” Despite being a bit under the weather, Taylor sounded great. It was impressive to hear how he made the songs his own by playing them his way and not trying to over-emulate the bands.

The set closed with a rowdy rendition of “X-M@$,” the anti-holiday track Taylor released last year. It’s no wonder why he makes such a great front-man, because whether he’s singing, speaking, and playing guitar (or even cheap Casio keyboards), Corey Taylor is lively, animated, and engaging. He doesn’t have to work to connect to the crowd; he just does it instinctively.

Taylor’s closing remark from the Q&A session sums up this evening pretty well, “As long as your passionate about something, fucking do it. You don’t have to define your life by it, but at least try for it.”

Here a SimpleViewer Flash gallery should be displayed. Click here to open the post in your browser to see the gallery.

All images contained on this page are Copyrighted by Kristen Pierson Photography (Kristen Pierson, Photographer) and Type 3 Media, and are property solely of the photographer. Any attempt to copy, save, or reproduce said images in any form is strictly forbidden without written authorization from the copyright holder.

Puscifer Brings Arizona Bay to Boston

Editor — Sat, 26 Nov 2011 18:49:07 +0000

Puscifer
The Orpheum
Boston, MA
November 22, 2011

The last time Puscifer rolled through Boston in March 2010, it was at a smaller venue than the Orpheum, so the opportunities for some additional stage theatrics this time around really piqued my interest. Maynard James Keenan and crew would not disappoint.

Photo courtesy of Puscifer

As I entered the venue to take my seat, the first thing that struck me was that the stage was completely empty. All that you could see was a massive reflective backdrop and a 15 foot screen hanging from the rigging. That’s it.

On the screen, the audience was treated to a humorous mockumentary with the plot of the film centered around Maynard James Keenan’s country-music playing, 1st cousin screwing, cheap whiskey drinking character Billy D. and his misadventures with wife Hildy and the well-endowed thieving interloper Peter Merkin.

Once the film ended, the house lights dimmed, and the theatrics began. Keenan appeared pulling an Airstrem Bambi trailer across the stage. It seems to take forever for Keenan to position the trailer. Once the trailer was in place, Keenan began his monologue ( in the vein of something Bill Hicks may have done during his more serious moments) while the stage setup slowly began to take shape as Keenan and Carina Round pulled stage props from the trailer including folding chairs, tables, and the ubiquitous bottle of wine. The rest of the setup was rolled out from the wings, including the drum kit on a giant red wagon. The result was akin to some bizarre camping trip in the desert, rather than the lounge feel of their previous tour.

With everything in place, the music began, and the crowd erupted. The house was packed with real fans of Puscifer’s music, those who actually know the songs, know the words, and have a great time moving to the music. The band played a strong set which included songs from their current release, Conditions of My Parole, like “Conditions of My Parole” and “Man Overboard,” as well as older works like “Vagina Mine.”

The group sounded great, and gave the fans both a tremendous visual and aural experience. Keenan and Round especially sound terrific harmonizing together, while mostly silhouetted in darkness at the back of the stage. I can’t help but wonder if Keenan is planning to pull a Tony Clifton at some point in his career, but he’d be hard pressed to find someone to mimic his distinctive vocals.

At the end of the set, Keenan introduced the group members, Jeff Friedl, Matt McJunkins, Mat Mitchell, Josh Eustis, and Carina Round, and then offered a profound “thank you” to the crowd for supporting their independent project. The group then closed the show with “Tumbleweed.” What impressed me most about this entire performance is that Puscifer keeps evolving. The group has refined their performance to ensure the audience is riveted from start to end, and left wanting more.

Hurt Concert Photos and Review from Cambridge, MA

Kristen Pierson — Tue, 22 Nov 2011 16:51:40 +0000

HURT
T.T. the Bears
Cambridge, MA
November 15, 2011

It’s been over two years seen I’ve seen Hurt perform live. Too long. By the time we arrived at T.T. the Bears in Cambridge a pretty good sized crowd was already assembled, a full hour-and-a-half before Hurt was due to begin their set. Visiting with the band briefly before the show I immediately sensed something was a bit different now. The guys seem more collected and relaxed than ever, but more importantly, very enthusiastic and optimistic about what the future holds for the band.

When we came out from backstage, the venue was packed and the crowd was giving opening act Prospect Hill a warm response. When Hurt took the stage, the crowd erupted in cheers and applause. Everything I sensed while talking to the band before the show presented itself onstage. Call it chemistry or simpatico, the guys played so well together, maybe better than ever.

The crowd was loud, but in a good way, singing along to every word of every song. Every word. What makes the crowd attendance and participation even more spectacular are the facts that before tonight Hurt hasn’t playing in the Boston area since 2008, and radio support has been sparse to non-existent. And still they came, and showed Hurt their appreciation in the best way they could.

You could see the impact of the crowd response in faces of the band members. You could hear the connection between the members in the music. One of the most powerful events of the night came during the performance of “Aftermath,” when Hurt practically hypnotized the boisterous crowd into such a silence that you could almost hear a pin drop (or at least the techno music blasting downstairs). The crowd was completely engaged and mesmerized.

I’ve been to dozens of Hurt shows over the past several years, and this show in Boston may be the best one yet. Before the show J. Loren said to me “If we play for two years together the way we’re playing, we’ll be sounding like a band that’s been playing together for thirty years, and of that I’m very proud.” I can’t wait to see and hear how this new vitality presents itself on their upcoming album, The Crux. I’m certain everyone at the show feels the same.

Here a SimpleViewer Flash gallery should be displayed. Click here to open the post in your browser to see the gallery.

All images contained on this page are Copyrighted by Kristen Pierson Photography (Kristen Pierson, Photographer) and Type 3 Media, and are property solely of the photographer. Any attempt to copy, save, or reproduce said images in any form is strictly forbidden without written authorization from the copyright holder.

The Pretty Reckless Rock the Worcester Crowd

Kristen Pierson — Tue, 01 Nov 2011 10:00:12 +0000

The Pretty Reckless
The Palladium
Worcester, MA
October 28, 2011

The Pretty Reckless took the stage as the opening act for Evanescence tour. Their performance was phenomenal, and better than I expected.

The band, fronted by Taylor Momsen, proved to be a great opener that really got the energy of the crowd up. Momsen has great stage presence, and appeared very comfortable belting out the band’s tunes, as well as an ambitious cover of Audioslave’s “Like a Stone.”

I’m adding The Pretty Reckless as an artist to keep a close eye on, because they seem primed to do some really great things.

Here a SimpleViewer Flash gallery should be displayed. Click here to open the post in your browser to see the gallery.

All images contained on this page are Copyrighted by Kristen Pierson Photography (Kristen Pierson, Photographer) and Type 3 Media, and are property solely of the photographer. Any attempt to copy, save, or reproduce said images in any form is strictly forbidden without written authorization from the copyright holder.

Evanescence Give Fans What They Want in Worcester

Kristen Pierson — Mon, 31 Oct 2011 10:00:48 +0000

Evanescence
The Palladium
Worcester, MA
October 28, 2011

I arrived at the venue to see a huge line out the door. Some of the fans had camped out since midnight in the cold New England air just for the opportunity to get up-front. The show was sold-out and everyone looked excited to be there.

Evanescence opened the set with their latest single “What You Want.” They sounded great. Amy Lee moves around so much on stage it almost seems she gets winded at times, but somehow she never misses her cue or sounds out-of-breath. Lee is always amazing to watch live.

The crowd was going nuts while packed into the venue like sardines. A few people were overwhelmed by the heat or the crush and had to be carried out, but overall there was any extremely positive vibe in the venue.

It’s always a treat to attend an Evanescence show because the band (and the fans) never disappoint.

Here a SimpleViewer Flash gallery should be displayed. Click here to open the post in your browser to see the gallery.

All images contained on this page are Copyrighted by Kristen Pierson Photography (Kristen Pierson, Photographer) and Type 3 Media, and are property solely of the photographer. Any attempt to copy, save, or reproduce said images in any form is strictly forbidden without written authorization from the copyright holder.

Set List:

What You Want
Going Under
The Other Side
Weight of the World
The Change
Made of Stone
Lost in Paradise
My Heart Is Broken
Lithium
Sick
Oceans
Call Me When You’re Sober
Imaginary
Bring Me to Life

Encore:

Never Go Back
Your Star
My Immortal

A ‘Musical Ride’ through Toad’s Place with Hanson

Christine Bartolucci — Wed, 12 Oct 2011 14:36:24 +0000

Hanson
Toad’s Place
New Haven, CT
October 8, 2011

I have been to Toad’s Place, the historic New Haven concert venue, plenty of times, but I haven’t seen it this packed in a long time. The club was buzzing with former teeny-boppers that were now all grown up and well past the age to have a drink at the bar before the show. Myself included.

When the guys entered the stage playing the song “Musical Ride,” the tune that was this tours namesake, the crowd erupted in cheers. Hanson lets their fans vote on the set list every night of the tour. Fans have the choice of their favorite album and whichever album wins, the guys integrate it into the set let. Their first album, Middle of Nowhere, won tonight. We were treated to a trip down memory lane as songs like “Wheres the Love,” “Lucy,” “Weird,” and of course “MMMbop” filled the air. I was brought back to earlier days of summer with swimming pools, trampolines, and swooning over three blond haired boys from Oklahoma.

The crowd’s energy didn’t slow down one bit as the guys played a few songs acoustically. “Kiss Me When You Come Home,” my personal favorite from the their latest album Shout It Out, shined during this part of the show. “Give a Little,” the latest single from Shout It Out got the audience on their feet and dancing. So much fun. They closed the main set with “Man from Milwaukee,” the quirky song about space aliens. During the encore Hanson performed “With You In Your Dream,” a song they wrote for their late grandmother. It was a somber way to end the electric evening.

We truly set out on a musical ride that night. And what a ride it was. Thanks Hanson.

Here a SimpleViewer Flash gallery should be displayed. Click here to open the post in your browser to see the gallery.

All images contained on this page are Copyrighted by Christine Bartolucci Photography (Christine Bartolucci, Photographer) and Type 3 Media, and are property solely of the photographer. Any attempt to copy, save, or reproduce said images in any form is strictly forbidden without written authorization from the copyright holder.

Bartolucci Photography” width=”468″ height=”60″ />

SET LIST:

“Musical Ride”
“Waiting for This”
“If Only”
“Thinking About Something”
“Been There Before”
“Thinking of You”
“Where’s the Love”
“Madeline”
“Lucy”
“I Will Come To You”
“Weird”
“Kiss Me When You Come Home”
“This Time Around”
“A Song To Sing”
“Yearbook”
“Speechless”
“Look At You”
“Minute Without You”
“Get up and Go”
“Penny and Me”
“Give a Little”
“MMMbop”
“Man from Milwaukee”
“With You In Your Dreams”

XFest Meets Carnival of Madness Tour for 2nd Year

Brian Cade — Thu, 15 Sep 2011 01:55:02 +0000

Carnival of Madness / XFest
September 11, 2011
Harris Riverfront Park
Huntington, WV

Once again tri-state radio station WAMX (KY, OH and WV) hosted the 2nd annual Carnival of Madness tour as it makes it way across the country, the WAMX event is better known as “X-Fest”, This is the 15th year WAMX has brought some of the best music from both the indie and national scene, and although this is the 15th year of XFest, this marks the 11th year the X-Fest has held this event at Harris Riverfront Park in Huntington, WV. Carnival of Madness is sponsored by InDegoot Entertainment, Monster Energy Drink and PRS Guitars, the Carnival started in 2010 with the first tour featuring such artist as Shinedown, Sevendust and 10 Years. This year’s roster to the main stage includes Roadrunner recording artists Theory of a Deadman and Black Stone Cherry, as well as national acts Alter Bridge, Adelitas Way, and Emphatic. West Virginia’s own national touring acts Bobaflex, Zeroking and Stacee Lawson hosted the “loud and local” side stage, which also featured Downtrend, a band from Pikeville, Kentucky.

A few minutes of rain tried to put a damper on the days festivities, but that was not to be so. The fans from all around the tri-state area had shown that they were ready to rock. The day began at the XFest “Loud and Local” stage where we caught the set of Downtrend with their own style of metal. The powerful set would hit its mark on the many music fans in attendance, yet Zeroking and Bobaflex were clearly the fan favorites on the side stage. Both bands gave the fans what they wanted; Andy Haught (vocals) commanded every inch of the stage as Zeroking belted out song after song, while two dancers and their rhythmic moves joined the band onstage. Zeroking are a very tight outfit from Huntington, with Andy Haught on vocals, Shane Day on guitar, Paul First on Bass and Chris Webb on drums. They were very entertaining both on and off the stage as they made the rounds to greet fans that had ventured up to the barriers that were in front of the stage.

Bobaflex upped the ante; by now the crowd had grown much larger than the previous bands before them. Bobaflex comes out of Mount Pleasant, WV and they have shared the stage with Nickelback, Sevendust and Disturbed. Mind you this is the short list to their fierce sound and ever so busy tour schedule. Martin McCoy (guitar) informed me prior to show time that a “monster” was to be included in their set, I just didn’t know when. Then there he was; “Bio slash Zombie” man, center stage, with what looked like some type of meat with blood that smelt like ketchup protruding from its mouth. This added to the already blistering set Bobaflex brought with them. Now I was hungry for more music and maybe a sandwich.

The Carnival had begun. We soon found ourselves at the Main stage where Atlantic records recording artist Emphatic roared out on stage to a sea of cheers and raised arms. Patrick Wilson (vocals) took command from every angle of the stage, delivering an onslaught to the masses as guitarists Justin McCain and Lance Dowdle paired up from time to time to greet each fan with their blistering finger work. Emphatic clearly set the pace for the course of the day and the day was far from over.

Photo by Brian Cade

Then before the crowd had a chance to recoup from the Emphatic’s crushing sound, Adelitas Way hit the stage with a sonic blast. Beckley, WV native Keith Wallen (guitar) whipped his guitar up as Rick DeJesus (vocals) walks out to a wall of cheers from the those in attendance, as Adelitas Way served up an abundance of great music and stage presence that would not go unchallenged as the day progressed. Rick DeJesus stage performance does not lack away from the humming amplifiers; he is as animated and out going off the stage as we watched him make the rounds to the fans that were awaiting the chance to meet those they came to see, both from the stage and up close and personal.

Photo by Brian Cade

If you have not caught Roadrunner recording artist Black Stone Cherry, then you must live under a rock, ’cause this Edmonton, Kentucky band with their blend of southern rock knows how to capture an audience with each guitar hook and poetic line in their music. Ben Wells was all over the stage with every leap and bound, hitting every note with precision as Chris Robertson’s vocals were timeless, filled with emotion and energy. They belted out such tunes as “White Trash Millionaaire” and “Blame It on the Boom Boom” from their 3rd release Between The Devil & The Deep Blue Sea as well as other fan favorites. I had to take a moment to watch John Fred Young on drums hit the skins with such passion and strength that I almost missed hitting the shutter button as Jon Lawhon and Ben Wells took turns upon the drum riser enticing the crowd into a frenzy.

Photo by Brian Cade

Alter Bridge soon took the stage, cheers filled the air as this band that was formed by former Creed members lead guitarist Mark Tremonti, bassist Brian Marshall and drummer Scott Phillips, and Myles Kennedy (Slash, The Mayfield Four) who was invited to the trio to form what we known as Alter Bridge as a whole. I was clearly blown away by their performance, even more so by Myles Kennedy. This was Alter Bridge on stage, and they gave it their all to the masses. Kennedy’s vocals were right on as he stretched his vocal range to the max and Mark Tremonti took residence on stage left hammering away each song with precession and skill. The band clearly came to play and deliver, and deliver they did. After the last note faded, Kennedy thanked the crowd and announced “now you can go back to your texting.” Mr. Kennedy I could not agree more. As I gazed into the sea of fans, all I could seen was the LCD’s of camera phones. REALLY!

Photo by Brian Cade

It did not take long to have the stage ready for the next act, Theory of a Deadman, another Roadrunner Records recording artist. The stage was lit in blue prior to showtime and to each side of the drum riser stood a old school type of art piece of a woman that looked like what you’d see on a world war II bomber. The same could be said about the second microphone that was set up for Tyler Connolly (vocals/guitar); something that had a retro appeal. That, hand in hand with Tylers hair style, reminds me of the old “Big Boy” franchise mascot. But don’t let this look fool you, their sound and catchy lyrics tell another story; a story of a band that has gained fans from all over the world. When Tyler Connolly announced from the stage during their set “we formed a band to get girls, and we got fans instead” the band was greeted with a even louder response from the crowd. This band did not hesitate to close out the day’s events with some tongue-in-check humor and a truck load of hit songs that put them on the charts. Tyler Connolly pitted the crowd against one another in cheers as he worked both sides of the stage with a video camera in hand, seeing which side would out do the other. Surely the “no contest” rule would have to be applied here, for the fans were more than eager to be even more of a part of the show in the video. The band pulled no punches with several of their hit songs like “Bitch” and “Bad Girlfriend,” as well as a mix of the newer songs from their latest release The Truth Is… which was released in July of this year. They came, then they conquered. The Carnival of Madness as a whole delivered a memorable tour with some amazing bands that came to Huntington to rock. Mission accomplished Carnival of Madness, this was a tour well done.

Sparks Fly with Hurtsmile in Titletown

Editor — Mon, 01 Aug 2011 21:51:14 +0000

Hurtsmile
July 22, 2011
Showcase Live
Foxborough, MA

Before the music began, I was talking to an old friend about happenings. A happening is an event with an intangible special spark that could occur in a large stadium filled with 50,000 screaming fans, or in an intimate club with only a few dozen people. We were anxiously waiting to see what would happen during Hurtsmile’s only scheduled hometown show.

Hurtsmile exploded out of the gate with the no-holds-barred song “Just War Theory.” It’s a great song to grab everyone’s attention and set the tone for the rest of the set. Gary Cherone was on fire and worked up quite a sweat during the first few songs.

Photo by Kristen Pierson

In the shadow of Gillette Stadium and in the wake of the recent Boston Bruins Stanley Cup victory, Gary’s words, “It’s great to be in Titletown,” resonated well with crowd. It was indicative of the excitement and the undercurrent of positive energy that comes with playing to a hometown crowd.

There is something to be said for positive energy combined with chemistry. This band of seasoned pros performed extremely well together. Gary Cherone is the consummate front-man, and still remains remains one of the best I’ve ever seen live, not only for his singing ability, but also for his stage moves, and ability to connect to the audience. Gary’s brother Mark (who I hadn’t seen perform since Flesh toured with Extreme in the 90′s) is a stunning guitar player, and quite a showman in his own right. It must run in the family. Dana Spellman is a solid drummer, but can really let loose at any moment, and Joe Pessia does a great job of laying down and holding a groove while also keeping up with Dana and Mark when needed.

I think “Beyond the Garden / Kicking Against the Goads” was my favorite performance of the night. While Joe Pessia grabbed a mandolin the band recruited manager Rob Hoffman for bass duties. The song is one of the most powerful on the album, and the live version is truly awesome. The band followed it up with a kickin’ version of “Jesus Would You Meet Me” that had many in the crowd singing along, and then closed the main set with a rockin’ arrangement of George M. Cohan’s “Over There.”

During the set Gary thanked the crowd a couple times for bearing with them as they played new material from the Hurtsmile album, almost as if he expected that the crowd wanted to hear him play old familiar tunes from his other projects. From where I stood it appeared that the crowd was not only very familiar with the new material, but loving every minute of the show. While they did play a few songs from Extreme, Van Halen, and a couple covers, this show was really all about Hurtsmile the band.

The three song encore was a real treat for fans. The end of the “The Murder Of Daniel Faulkner (4699)” performance featured a member of the Massachusetts State Police Pipes and Drums playing bag pipes. It was a very moving moment and a fitting tribute to Faulkner, and every police officer who has lost their life in the line of duty.

The somber moment was followed by a bit of revelry. Gary called on Pat Badger to join the band on stage. Two cakes, with candles lit, were brought out and then the entire crowd sang “Happy Birthday” to Gary and Pat. Badger then played bass for a performance of the Extreme song “Tragic Comic.” It was great to see everyone up on stage having a great time.

The band closed their hometown show with a lively performance of “Without You” (Van Halen). I’m sure everyone in the crowd will attest, that this wasn’t simply just another show. Sparks were flying… this was a happening.

Set list:

“Just War Theory”
“Pump It Up” (Elvis Costello cover)
“Stillborn”
“Tolerance Song”
“Love Thy Neighbor”
“Kaffur (Infidel)”
“Painter Paint”
“Hole Hearted” (Extreme)
“Wonder What” (Mark Cherone on vocals)
“Slave”
“Beyond the Garden / Kicking Against the Goads”
“Jesus Would You Meet Me”
“Over There” (George M. Cohan cover)

Encore:
“The Murder Of Daniel Faulkner (4699)”
“Tragic Comic” (Extreme)
“Without You” (Van Halen)

Styx and Yes Put on a Grand Show at Foxwoods

Kristen Pierson — Fri, 15 Jul 2011 12:02:02 +0000

Styx and Yes
July 8, 2011
MGM Grand Theater
Mashantucket, CT

Yes put on an unbelievable show. Right from the start, their positive energy set the mood for the entire night. Yes had a great connection to their audience who were all here to enjoy the music from these top notch performers. For me, the music brought back fond memories of when I was kid first hearing these tunes on the radio. At the end of their set, Yes received a hard earned and well deserved standing ovation.

Photo by Kristen Pierson

I didn’t know what to expect from Styx because they are not exactly the same band from years past. It turned out that they were absolutely riveting to watch. The entire band looked like they were really enjoying playing for the audience. It wasn’t work for these guys, but pure joy, and the great music they played is the greatest testament to that.

Everyone I talked to was raving about how good this show was. One fan summed it up nicely. “YES put on a good show… STYX was firing on all cylinders!”

Yes Setlist:

Tempus Fugit
Yours Is No Disgrace
I’ve Seen All Good People
Fly From Here
And You And I
Owner of a Lonely Heart
Roundabout
Starship Trooper

Styx Setlist:

Blue Collar Man
The Grand Illusion
One With Everything
Too Much Time On My Hands
Lorelei
Man in the Wilderness
Suite Madame Blue
Fooling Yourself (The Angry Young Man)
Miss America

Encore:

Renegade

Type 3 Media » Concert Reviews

Halestorm Rocks The Mohegan Sun Wolf Den

Related Articles

Corey Taylor Spits Out Electrifying Performance in Rhode Island

Related Articles

Puscifer Brings Arizona Bay to Boston

Related Articles

Hurt Concert Photos and Review from Cambridge, MA

Related Articles

The Pretty Reckless Rock the Worcester Crowd

Related Articles

Evanescence Give Fans What They Want in Worcester

Related Articles

A ‘Musical Ride’ through Toad’s Place with Hanson

Related Articles

XFest Meets Carnival of Madness Tour for 2nd Year

Related Articles

Sparks Fly with Hurtsmile in Titletown

Related Articles

Styx and Yes Put on a Grand Show at Foxwoods

Related Articles